May 23, 2011

3 acts


today begins part 2 of my retreat w WILDNESS's new writer/collaborator roya rastegar
i know it seems impossible to imagine after a year and half of editing- but we are re-writing the whole fucking movie! i guess that's just what happens in the 11th hour... ;))

 still new to me = 3 ACT STRUCKKTURE. BOOM.


see you soon nyc

May 18, 2011

GROWN 66 = THE SECOND TO LAST ONE



after 20+ years miki saito is closing the doors of dinner house M :(
(psst: there is a rumored new location and apparently she's bring the stained glass drop ceiling with her!)
(TOTAL FREEDOM photorealism as usu)


WORKING CLASS FEMINIST WORKS HER WAY TO THE TOP OF THE SHOWBIZ MOUNTAIN
AND GETS MORE REAL LESS FAKE THAN EVER
(thanks andrea!)

POWERFUL WOMEN ON THE WWW IN GENERAL




IMG MGMT: Before/After, 2009-present

May 17, 2011

THE TABLE @ THE NEW MUSEUM NYC JUNE 23RD


THE TABLE is a 5-hour day-into-night performance by KINGDOM, NGUZUNGUZU, TOTAL FREEDOM and WU TSANG. THE TABLE places the four DJs on four opposing sides of a table in the middle of the floor. The artists face each other, working together and/or against each other to produce a constant stream of ad-libbed new ideas in sound. The unusual set-up gives the audience an unconventional role as co-conspirator, huddled around the table like students at a schoolyard brawl. The particular placement of the table uses bad feng shui to pleasantly disrupt our experience of entertainment and hospitality. 

Brought to you by THE NEW MUSEUM and RHIZOME

JUNE 23RD - STARTING AT 4PM ONWARDS
AT SOME POINT DRINKS START FREE-FLOWING
THE NEW MUSEUM - 235 BOWERY
7TH FLOOR - SKY ROOM

tickets available soon!!!
(photorealism by total freedom)

May 11, 2011

pulp gay exploitation fiction from another era


reading justin bond's blog response to v's new york mag feature i felt a piercing burst of anger followed by a more familiar wave of resignation. mainstream media have always expressed EXTREME hostile attitudes towards trans communities (if they acknowledge we exist at all- which to this day is mostly- only? white trans folks) and in the back of my mind i wonder if that may always be true. if you wanna follow this drama in detail, bond breaks it down in the most thoughtful and emotionally honest way. v's observation that "it was like reading some sort of pulp gay exploitation fiction from another era" struck me as SO FAMILIAR. because, somehow journalism about trans people always feels like it's a crazy time warp other zone past century burning place.... where it's all like WHAAAAAT? would you EVER talk so exploitatively about a body or what it fucks before you EVEN get to the point of who someone is maybe what their amazing contribution to the world might be? oh well. here comes that sigh of WHATEVER again.

but seriously forreal. maybe it's better this way. if fighting for visibility means fighting to be somehow DESCRIBABLE in this sad media vocabulary then skip it! but not in a reactionary way. in like a double-timing bless us for the infinite interweb platform lets just hear each other in our own dialects etc etc

news format- really?

ps if you wanna GASPP big time here's another one from nytimes weekly spew: Chaz Bono the reluctant transgender role model.

i once heard dean spade say that he was terrified of mainstream media for these very reasons- which was one of the original things that motivated me to want to make WILDNESS-  i wanted to create a not terrifying option. so WORK continues ;)